Bouquet of Flowers in a Glass Vase Oil Painting After Ambrosius Bosschaert 23"

Description

Late 20th Century oil on canvas painting after "Bouquet of Flowers in a Glass Vase" by Ambrosius Bosschaert, originally painted in 1621. "Here, two spectacular blossoms, a yellow iris and a red-and-white striped tulip, surmount a bouquet composed of numerous species, among them roses, a blue-and-white columbine, fritillaria, grape hyacinth, lily of the valley, and a sprig of rosemary. A damselfly alighting on the iris and a butterfly on the cyclamen blossom that rests on the wooden tabletop further enliven the composition." (National Gallery of Art) Beveled gilt wood & gesso frame.

"Ambrosius Bosschaert III (often referred to as Ambrosius Bosschaert the Elder) was one of the pioneers of Dutch still-life painting. Bosschaert was born in 1573 in Antwerp, the son of the artist Ambrosius Bosschaert II and his wife, Johanna.[1] He presumably received his artistic training from his father. It is likely that Bosschaert began his career depicting rare and exotic flowers and fruit in botanical gardens, and some of his drawings may have been made for the botanist Carolus Clusius. It is certain that Bosschaert used such drawings to compose his paintings, which often include identical flowers, sometimes rendered in reverse. Following Antwerp’s reconquest by Spanish forces in 1585 and the subsequent expulsion of all non-Catholics, the Protestant Bosschaert family moved to Middelburg in about 1589. There the artist joined the Saint Luke’s Guild in 1593. “Ambrosius Bosschaert” is listed as dean of the guild in 1597, 1598, 1603, 1604, and 1613, but it is unclear whether these dates pertain to Bosschaert or his father. In 1604 Bosschaert married Maria van der Ast, who came from a wealthy Middelburg family. Bosschaert and his wife eventually moved to Breda (1619–1621), where the artist executed this painting in the year of his death. Bosschaert died in The Hague on a trip to deliver a flower painting to a member of the court of Prince Maurits, for which he apparently was paid 1,000 guilders." (National Gallery of Art)

Condition

Good Overall - Gentle wear to frame

Dimensions

19" x 2" x 23" (Width x Depth x Height)